Electric Vintage
Electric Vintage is a virtual instrument based on a reproduction of a famous vintage electric piano (1976) with a full range of dynamics (from soft to distorted sounds), release noise and pedal resonance.
Accordion Vintage
Accordion Vintage is a virtual sampled instrument based on an originalItalian accordion made in Castelfidardo in the 60s years
apeMatrix
apeMatrix is a unique AU/IAA routing tool that gives you total control over what you want to do and how you want to do it
Sparkle
Advanced Cross-Synthesis Hybridizations with envelope preservation and phase-sync processing
SOLO[Nr.19]
Digitally set-up for the performance of six versions of Solo für melodieninstrument mit rückkopplung by Karlheinz Stockhausen
Stria
Multilevel Interactive Sound Synthesizer, a tribute to John Chowning's Frequency Modulation technique applied to audio synthesis
iPulsaret
All time-domain varieties of granular synthesis: Grainlet, Trainlet, FM, time/pitch shifting, time/pitch jittering, Live Input manipulation etc...
iDensity
Designed for asynchronous sound file granulation, a genuine granular playground able to generate a wide range of usual and not so usual effects
Moebius
Multimorphic sound processor which contains a synth, a varispeed stereo sample player, 9 time domain effects, 6 spectral effects, 7 slots for external audio application, and nearly 200 LFOs that can modulate each parameter
DubFilter
Dual low-pass/high-pass 24/48 dB filter, with resonance and the exclusive Overlap parameter
Dedalus
Audio mangler, network of delay lines is continually granulated and modulated, producing a labyrinth of echoes
Reverb
Feedback Delay Network (FDN) Reverb Effect, which can create nice reverberated ambiences, from small rooms to huge buildings
Limiter
A brickwall peak limiting for the complete control of your audio volume, it has a wide range of dynamic processing: from very gentle volume attenuation to heavy distortion
GliderVerb
Reverberator with Glissandos simulating a room gradually changing its shape. It is an expanded the James McCartney 's algorithm